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Work
The work organizes itself, roughly, into five concerns. A category is not a constraint on a piece, only a useful door into it. Open whichever one looks right.
01
Fields of small heads, dense and even.
A field of small bright heads, gathered into a single low vessel. These pieces work in repetition and in mass, in the architecture of many small things held at the same level.
Explore Meadows →3 pieces
02
Spheres on stems, points in air.
Seedpods, woven spheres, and round forms held on stems above their vessels. The composition is verticals and points, the orbit of small bodies around a center. A figure made of many.
Explore Constellations →6 pieces
03
Lines and silhouettes, kept exactly as found.
These pieces are about structure. Bare branches, dark twigs, a single arc of manzanita. The forms are honest, the silhouettes precise, the lines kept exactly as found.
Explore Skeletons →4 pieces
04
Moss as subject, mass as form.
Moss is rarely the subject. It is usually the floor of someone else's arrangement. These pieces invert that and let moss compose itself, in mound, in cloud, in topiary, in landscape.
Explore Mossworks →4 pieces
05
Mixed registers held in a single vessel.
A garden is the most ancient of arrangements, and the most open to whatever belongs. These pieces gather flower and branch and pod and stone into one vessel and hold each register in formal relationship.
Explore Gardens →3 pieces
