—
Work
The work organizes itself, roughly, into five concerns. A category is not a constraint on a piece, only a useful door into it. Open whichever one looks right.
01
Fields of small heads, dense and quiet.
A meadow is what you make when you stop expecting a forest. These pieces hold many small bright things in a single low vessel, and they ask very little. You arrive, you stand, you stay a while.
Explore Meadows →3 pieces
02
Heads of things, held on stems in the air.
Seedpods and woven spheres and dried orbs rise from their vessels the way stars rise from dark water. Each one is a small point of finished growth. Together they make a figure.
Explore Constellations →6 pieces
03
Wood that has finished and remains.
These pieces are about structure. Bare branches, dark twigs, a single arc of dried manzanita. The forms are honest, the silhouettes precise. Nothing pretends to be alive.
Explore Skeletons →4 pieces
04
Surfaces of slow change.
Moss does not ask to be the subject. It is usually the floor of someone else's arrangement. These pieces invert that and let moss compose itself, in mound, in cloud, in topiary, in landscape.
Explore Mossworks →4 pieces
05
Layered compositions of bloom and bone.
A garden is the most ancient of arrangements, and the least defended. These pieces gather flower and branch and pod and stone into one vessel and let them argue, gently, about what belongs.
Explore Gardens →3 pieces
